Archive for the pagan music Category

Going back to source

Posted in art, cerri lee, clothing, damh the bard, druid, druidism, druidry, pagan, pagan music, paganism, sculpture, shamanism, spirituality, Uncategorized, wicca, witchcraft with tags , , , , , , , , , on December 6, 2011 by cerrilee

Recently I have been pondering the magic of Art and it’s ancient mystical roots.

I have recently finished a piece of work called “Cernunnos” that for me speaks of the origins of the pagan Horned God and then, a couple of weeks ago, I watched a curious film called “The Cave of Dreams”  made in a recently discovered cave in France where cave paintings have been found, these paintings are believed to be the oldest found so far at around 35,000 years old.

I have been driven for a long time by the need to understand what Art is at it’s source and I have long wondered if it still can have the same mysticism and power in a culture that is swamped by banal and fatuous images.

Almost every culture has in some way or another over the millennia created animal-headed men that have come to represent Gods, they are very familiar to all whether you be Pagan, Christian or any other religion, and they seem to me to be both a natural and magical way to interact with those forces of nature. They are powerful images that conjure a primal response within us and for me that is the whole point of art, to illicit an emotional response. Even within modern Paganism today many find ourselves drawn to this primal image and connection.

In some of the earliest images it is hard to see whether it is a man wearing an animal mask or an animal behaving like a man, the boundary is blurred and I feel that was the point. In order to catch your pray you must first understand it, maybe even become it. So are the beautiful cave paintings art or magic or both?  Were the shamans of the tribes, as walkers between this world and the world of spirit, the ones who painted these images, or was every hunter a shaman/artist? Did each hunter believe that to capture the animal in the flesh he must first capture it’s spirit?  In the dark recesses of the ancient caves by flickering fire light and with the most basic of ingredients gleaned from the earth, did they sing, dance and drum to the spirits of the animals before the hunt? Did they bind the animals and hold their spirits to give any advantage to the hunters against the enormity of mammoth, lion or rhino. Maybe the shaman stayed in the cave until the hunt was done, holding that energy for the tribe doing battle with magical spear and arrow?

Then there are the many small sculptures of naked women with large breasts often called the “Venus” of where ever they were found, older still than the cave paintings in many cases, but one was found as a painting in the French cave with animals woven into the design to look like parts of her body. Did they call to a spirit of creation to aid them in the hunt also?

All of these dreams and notions keep me searching for ways to express the ineffable through art, inspired by the magic of the ancestors.

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The Cauldron is Born!

Posted in art, cauldron born, cerri lee, damh the bard, druid, druidism, druidry, pagan, pagan music, paganism, spirituality, wicca, witchcraft with tags , , , , , , , , , , , , on February 11, 2008 by cerrilee

p67web.jpgI have been a bit busy over the past few weeks trying to do my partner Damh the Bard’s new album cover, the album is called The Cauldron Born. I always start with such big ideas about the concepts for the covers and find that my technical abilities just do not come up to par when putting them into a Photoshop environment, thank the Gods for having a creative teenage daughter who is much more able on these fronts!

The process is an interesting one as the album has to be practically finished to get a real sense of how it is going to sound before you can have any idea of how the artwork should complement the energy, and then everything very quickly becomes time pressured in order to get everything out to press.

The whole album takes months to work on whilst having to fit it in with working, and the whole house takes on a air of creative tension. Damh works all hours on writing and recording in the front bedroom of our small bungalow, every now and then he will come out of the room either utterly frustrated or bouncing with child like glee depending on what he has achieved in the past couple of hours, at which point I become a sound board as we then go through various versions of the track to listen to the levels of each instrument and it is adjusted, deleted or sometimes new things added.

At these points I have to give an “honest” opinion, but also be the epitome of tack and diplomacy, neither of these two qualities are natural parts of my nature, I tend to be very straight forward with my opinion if I like something I am comfortable to say so, but equally if something does not work for me I will not say anything just to please, I really think that that is unfair and I would not be happy if someone was not honest with me. For me all opinion is subjective and personal and therefore should be taken with grace (if it is given with grace), whilst being comfortable enough to say thank you for your opinion I will consider the points you make, but still have the confidence to do what you feel is right for you.

And so it goes on over the months whilst I try to keep the noise to a minimum in the rest of the house, with phones ringing, people knocking at the door and the dog barking her head off at any little noise, it takes over your life and no mistake. So when it comes to the last stage which is the cover, Damh is champing at the bit to get the package out the door and to press – no pressure there then! 🙂

All of the fabulous and grand ideas of working with photos and line drawing which I started with at the beginning of the process are binned! There simply are not enough hours in the day to take the photos and work out how to turn them into the images in my head, it would take weeks and more dry weather than we have had for ages to get out into the woods and take the basic shots. Then I would have to find someone to teach me everything I need to know about Photoshop to transform them, and then do the extra artwork to overlay, so I go for simplicity.

The album has a very clean and clear feel to it and a good number of the song lyrics have strong feelings to them, so I felt that simple line drawings white on black dotted through the booklet would keep with that theme. So having worked out a simple image that hopefully best illustrated the feel of each song I set to work on drawing the images. I have to say that I work best with pencil sketching or clay so these images made me work outside of my comfort zone and I struggled with the idea that less is more, but in the end I hope I managed something acceptable.

I only used one photograph in the end and that was of a cauldron from a website (with the permission of the website owners of course www.jelldragon.com), and I have to say that with the technical help of my daughter Rosalie I have learned so much from this process and will be much more confident with the next one!